Posts Tagged With: chiat/day

Nigel Williams: Clio Awards Chiat/Day

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Just found out I won a Clio in 1998 for a commercial I did for Home Savings. I want my Statue.

Life Stages :90 
Home Savings
TBWA Chiat/Day, Venice
Television/Cinema, Bronze, 1998
Credits:
Creative Director: Nigel Williams
Art Director: Nigel Williams
Copywriter: Bernie Hafeli
Agency Producer: Deb Groth
Arranger: Jonathan Elias
Cinematographer: Max Malkin
Composer: Chip Jenkins
Director: Anouk Besson
Music Company: Elias Associates, Bicoastal
Production Company: The End, Los Angeles 

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Nigel Williams: Samsonite: Nomadic tribe

This spot for Samsonite was filmed with a nomadic tribe in Namibia, who were paid in coffee and sugar (they had no need for money).

One of the toughest things about being a Creative Director is that you don’t always go on shoots, especially if they are in Namibia.

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Nigel Williams: Fashion: Wrangler Jeans

Probably one of the craziest shoots I ever went on. Shot in small towns in Arizona. Globe and Wilcox. Wilcox. Wrangle is seen as authentic in Europe and these commercials ran in movie theaters in Europe. So they couldn’t have much dialogue. One of the receptionists at the music company came up with the line “Are you going to run this way like that” which we thought was great.

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Nigel Williams: Agency Vet Moves to Guthy-Renker

ADWEEK

http://www.adweek.com/news/advertising/agency-vet-moves-guthy-renker-90063

By Gregory Solman

Originally published in 2007

LOS ANGELES ECD Nigel Williams has left the Cimarron Group for a senior position at direct marketing giant Guthy-Renker.

The move represents Williams’ departure from traditional advertising after a meteoric career that spanned the last campaigns of Jay Chiat to promos for Hollywood’s most recent summer blockbusters.

Williams was at Cimarron for more than three years and oversaw the Los Angeles agency’s motion-picture marketing campaigns as well as Sony Corp. and Universal Studios. He also helped expand the agency’s portfolio to include Lotus automotive and the Santa Barbara (Calif.) Business Convention Bureau.

Williams said he made the move because he likes the idea of “controlling every aspect of marketing a product. Guthy-Renker is known for infomercials, but they are only one tool in an arsenal of marketing tactics that includes online, print, direct, TV, event marketing and long-form.”

Guthy-Renker focuses on marketing cosmetics lines tied to celebrities such as Vanessa Williams, Jessica Simpson, Elle Macpherson, Susan Lucci and Cindy Crawford.

Williams, who becomes svp, marketing services, said that at Guthy-Renker “we’re the ad agency and the client. We buy ourselves lunch.”

“Traditional marketing has the understanding of brands, the consumer insights, but this is a different mechanism,” he said. “In traditional marketing we chum the water, the fish come and hopefully you snag them later. With direct response you put the bait on the hook. I intend to use all my traditional advertising skills, storytelling ability and humor at Guthy-Renker.”

A native of Great Britain and graduate of what was then called the London College of Printing, Williams was visiting California and working as a caricature artist at the annual Gilroy Garlic Festival when he decided to look in the Yellow Pages for advertising work. That search led to a job as an art director at Foote, Cone & Belding here in 1989, where he worked on Mazda.

Williams moved to Chiat\Day during its “virtual office” days in the Frank Gehry binoculars building in Venice, Calif., where he was assigned Nissan and Infiniti, Samsonite, Home Savings and the San Francisco Food Bank. He also worked alongside Jay Chiat on one of his pet charities, Surgical Eye Expeditions. “Everybody should be lucky enough to have been there during those days,” Williams said.

“You have to keep reinventing yourself,” he added. “The goal is take all the things I’ve learned and hope that it is additive to the business that [Guthy-Renker] is in. I see it as a traditional ad agency that owns its own products.”

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Nigel Williams: Home Savings/ Chiat/Day

This 90 second spot was great to work on. This commercial was when I realized that my job wasn’t to win creative awards or do memorable advertising, but simply to raise the stock price of the company. Nothing wrong with that, I just didn’t know it at the time

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